ATLANTA
AuDition TRAINING
Satisfy the requirements of any audition with clear and specific tools that allow you the freedom to make unavoidable choices, justified by the text.
Working this way, your work becomes simple, direct, universally appealing, and with practice, highly effective.
These are professional ongoing audition classes, not acting classes. The point of joining an audition training class is to hone the skills you need to get better work so you can sustain a career in the arts. Working with Tim means you are committed to being a professional working actor and to doing your best work!
Start with what you're great at. Bring in current auditions, past auditions you want to work on, or material you know you have to be seen for. If you're developing material for your reels, bring that in. This is also part of the training - that you take ownership of your part of the casting process by: knowing who you are, how you're seen, what you're good at, and how to show up prepared and ready to play.
Classes are limited to 10 working actors. Refine and expand your auditioning skills by working on-camera with before and after video playback. Literally see great results, changeability and improvement every time.
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The $200 Monthly ClassPass
The best value you can get.
4 consecutive weeks of ongoing on-camera class on your regularly scheduled day, with as many drop-ins between the first and last scheduled date of your classpass, as long as space and time permit.
To reserve your drop-ins, email us first.
Click below to get on that class roster.
ON-CAMERA
AUDITS
See for yourself.
Audits do two things: they allow you to get a feel for what it's like to work with Tim, and give Tim a chance to make sure you're a good fit as well.
These aren't acting classes, though every actor becomes better at their craft by working this way. These are professional job-getting classes. Your work is really a one-to-one between you and your progress. Ready to play?
A WORKING AUDIT is a one-time-only event. Prepare 2-3 pages of material in your casting. Be comfortable enough with the text that you can connect to your scene partner. You'll observe class first, then work on-camera at the end of it, without coaching before you begin. This gives Tim a feel for how you work. He'll give an adjustment or two, then you'll do it again. See the difference for yourself when you review your before and after playback. No charge for first time students - 1 free audit until Jan 1, 2020. CLICK HERE TO >>>> RESERVE NOW.
A NON-WORKING AUDIT is a one-time-only event. Test drive the room and get a first-person feel for Tim. PRE-PAY here and email us to confirm your date. As a reminder, please check the calendar first. Travel plans and holidays affect class scheduling.
No materials are needed. For a non-working audit, bring a headshot and resume to introduce yourself to Tim. We'll follow-up with a confirmation email asap.
Better auditions means more work.
YOU WORKING. THAT'S THE GOAL.
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Studying with Tim
you'll learn and master
• Which audition preparation tools work best for you
• A set of simple, effective, immediately applicable acting tools that ground you in honesty
• How to nail the first ten seconds of the audition, which is where most actors lose the job
• How to work from your gut by staying out of your head
• How to quickly make adjustments and incorporate redirects in your auditions, callbacks, and on set
• How to handle complex directions in a spontaneous manner
• The most simple and human ways to glean from the text every clue the writer has embedded there
• How to really get and satisfy a variety of character breakdowns